Bridges of Madison County Musical Mountain View Center for the Performing Arts
| The Bridges of Madison County | |
|---|---|
 Theatrical release affiche by Bill Gold | |
| Directed past | Clint Eastwood |
| Screenplay by | Richard LaGravenese |
| Based on | The Bridges of Madison County by Robert James Waller |
| Produced by |
|
| Starring |
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| Cinematography | Jack Northward. Green |
| Edited by | Joel Cox |
| Music by | Lennie Niehaus |
| Production |
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| Distributed past | Warner Bros. |
| Release date |
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| Running time | 134 minutes[one] |
| Country | United States |
| Language | English |
| Budget | $22 meg[ii] [3] |
| Box part | $182 one thousand thousand[four] |
The Bridges of Madison Canton is a 1995 American romantic drama film based on the 1992 bestselling novel of the same name by Robert James Waller.[5] It was produced and directed by Clint Eastwood, who likewise starred in it with Meryl Streep. The screenplay was adapted past Richard LaGravenese. Kathleen Kennedy was co-producer. It was produced by Amblin Entertainment and Malpaso Productions, and distributed past Warner Bros. Entertainment.
The picture is set in 1965, featuring Italian state of war bride, Francesca Johnson (Meryl Streep), who lives with her husband and two children on their Iowa farm. That year she meets National Geographic photojournalist, Robert Kincaid (Eastwood), who comes to Madison County to photograph its historic covered bridges. With Francesca's family away for a short trip, the couple accept an intense, four-day love affair. The film earned $182 1000000 worldwide[four] and was well-received by critics. Streep was nominated in 1996 for an University Award for Best Actress for her functioning.
Plot [edit]
In the nowadays, adult siblings Michael and Carolyn Johnson make it at the Iowa farmhouse of their recently deceased mother, Francesca, to settle her estate. They are shocked upon learning that Francesca requested to be cremated and her ashes scattered from Roseman Covered Bridge, rather than be buried adjacent to her tardily husband, Richard.
Michael initially refuses, but while he and Carolyn expect through the prophylactic eolith box, they discover an envelope containing photographs, messages, and a key. The photos are of Francesca taken at the Holliwell Covered Bridge and the messages are from a man named Robert Kincaid. The central is to Francesca's locked promise chest. In information technology are three hardbound notebooks. There are also several National Geographic magazines, including one featuring Madison County's covered wooden bridges,[6] old cameras, a volume, and other mementos. The magazine includes a photo of Kincaid, who photographed the bridges; he is wearing Francesca'due south crucifix pendant.
Every bit Michael and Carolyn begin reading Francesca's notebooks, the motion-picture show flashes back to 1965. Francesca, a WWII Italian war helpmate, stays home while her husband and teenaged son and girl nourish the land off-white for the side by side four days. Robert Kincaid, a National Geographic photojournalist on assignment to photograph the canton's historic bridges, arrives at the Johnson farm, asking for directions to Roseman Bridge. Francesca rides along to show him the way. Their subsequent affair occurs over 4 days.
Francesca details the intense thing and its lasting influence on both her and Robert, hoping Michael and Carolyn volition understand and honor her final request. Francesca and Robert roughshod deeply in love and nigh ran away together. Francesca, bars to a passionless spousal relationship, was unable to abandon her teenage children and loyal married man. Though she loved Robert, she questioned whether their spontaneous relationship could survive over fourth dimension. Robert, moved by their brief encounter, found renewed meaning in his life and true calling as an creative person. Francesca's memories helped sustain her through the remaining years on the subcontract.
Later on her husband's death, Francesca attempted to contact Robert, but he had left National Geographic and his whereabouts were unknown. She subsequently learned that Robert died most three years subsequently her husband, and he left his belongings to her. His ashes were scattered from Roseman Bridge.
In the present, Michael and Carolyn, struggling with their own marriages, are securely moved past their mother's story. They find new direction to their private lives and carry out their mother'south wishes to besprinkle her ashes at Roseman Bridge.
Cast [edit]
- Clint Eastwood equally Robert Kincaid
- Meryl Streep every bit Francesca Johnson
- Annie Corley as Carolyn Johnson
- Sarah Kathryn Schmitt as young Carolyn
- Victor Slezak every bit Michael Johnson
- Christopher Kroon as young Michael
- Jim Haynie as Richard Johnson
- Phyllis Lyons equally Betty
- Debra Monk equally Madge
- Richard Lage equally Lawyer Peterson
- Michelle Benes as Lucy Redfield
Production [edit]
Development [edit]
"I've been that guy a little fleck, going off by myself years ago in a pickup truck into Nevada, scouting locations for High Plains Drifter. But I didn't stop off with whatever housewives while doing that."
— Clint Eastwood on Robert Kincaid[three]
Amblin Entertainment, a production company founded by Steven Spielberg, bought the pic rights to Waller's novel for $25,000 in late 1991, before its publication—by the fourth dimension of the motion-picture show's release, the novel sold 9.5 million copies worldwide.[iii] Spielberg first asked Sydney Pollack to straight, who got Kurt Luedtke to typhoon the first version of the accommodation but and so bowed out; Ronald Bass was brought in by Kathleen Kennedy and Spielberg to piece of work on the script, simply they were unsatisfied with the results.[iii] But a third draft by Richard LaGravenese was liked by Eastwood, who quite early had been bandage for the male atomic number 82, and by Spielberg, who liked LaGravenese's version enough to consider making Bridges his adjacent film afterwards Schindler's List, which was in post-production at the time.[3] Both men liked that LaGravenese'south script presented the story from Francesca's bespeak of view; Spielberg then had LaGravenese introduce the framing device of having Francesca's developed children discover and read her diaries.[three] When Spielberg decided not to direct, he then brought in Bruce Beresford, who got Alfred Uhry to draft another version of the script; when Warner Bros., Spielberg, and Eastwood all preferred LaGravenese'southward draft, Beresford dropped out.[3]
Waller championed Isabella Rossellini to play Francesca; she was a "strong contender" in a list that also included Anjelica Huston, Jessica Lange, Mary McDonnell, Cher, and Susan Sarandon. But despite Spielberg's initial reluctance, Eastwood had advocated Meryl Streep for the function from the beginning.[3]
Filming [edit]
Principal photography took 42 days, ending on November one, 1994, ten days alee of Eastwood'south 52-24-hour interval schedule; Eastwood filmed it chronologically from Francesca'due south point of view, "because it was important to work that style. We were two people getting to know each other, in existent time, as actors and every bit the characters."[three] Information technology was filmed on location in Madison Canton, Iowa, including the town of Winterset, and in the Dallas Canton boondocks of Adel.[two]
Post-production [edit]
The MPAA ratings lath initially gave the film an "R" rating, for the line "Or should we but fuck on the linoleum one last time?", a line of dialogue spoken sarcastically by Francesca; Eastwood appealed, and the rating was reduced to a PG-xiii.[iii]
Release [edit]
Box role [edit]
The Bridges of Madison County opened theatrically on June two, 1995, in 1,805 venues. It grossed $ten,519,257 in its opening weekend, ranking number two at the The states box office, backside Casper (which was in its second weekend and coincidentally features Eastwood in a cameo).[vii] It was number one at the Japanese box office for nine consecutive weeks, grossing over $35 million.[viii] [9] At the cease of its run, the film grossed $71,516,617 in the United States and Canada and $110,500,000 overseas for a worldwide total of $182,016,617.[4]
Disquisitional reception [edit]
On Rotten Tomatoes, the picture has a score of 90% based on 59 reviews, with an average rating of 7.40/10. The site'southward consensus states: "Sentimental, boring, schmaltzy, and very satisfying, The Bridges of Madison Canton finds Clint Eastwood adapting a bestseller with heft, wit, and grace."[10] On Metacritic, the film has a 69 out of 100 rating, based on 23 critics, indicating "generally favorable reviews".[11] Audiences surveyed by CinemaScore gave the film a grade "A-" on scale of A+ to F.[12]
According to Janet Maslin, "Clint Eastwood, director and alchemist, has transformed The Bridges of Madison County into something endurable—no, something even better. Limited past the vapidity of this fabric while he trims its excesses with the requisite machete, Mr. Eastwood locates a moving, elegiac love story at the heart of Mr. Waller's self-congratulatory overkill. The picture has leanness and surprising decency, and Meryl Streep has her best office in years. Looking sturdy and voluptuous in her plain housedress (the year is 1965), Ms. Streep rises straight out of Christina'south Globe to embody all the loneliness and trigger-happy yearning Andrew Wyeth captured on sail. And nonetheless, despite the Iowa setting and the emphasis on down-home Americana, Mr. Eastwood's Bridges of Madison County has a European flavor. Its pace is unhurried, which is not the same as wearisome. It respects long silences and pays attention to minor details. It sustains an austere tone and staves off weepiness until the last reel. It voices musings that would definitely sound better in French."[13] Richard Corliss said Eastwood is the "nearly reticent of directors—where the book ogles, the flick discreetly observes—and, here, the courtliest of stars....Equally scripted by Richard LaGravenese (The Fisher King), the Madison County pic has a slightly riper theme than the volume'due south. It is almost the apprehension and consequences of passion—the tiresome dance of appraisal, of waiting to make a move that won't be rejected, of debating what to do when the erotic heat matures into dear calorie-free. What is the upshot of an affair on a woman who has been faithful to her hubby, and on a rootless man who only now realizes he needs the one adult female he tin accept just not hold?" Corliss concludes "Madison County is Eastwood's gift to women: to Francesca, to all the girls he's loved earlier—and to Streep, who alchemizes literary mawkishness into intelligent movie passion."[14]
Accolades [edit]
Others [edit]
The film tied with Goodbye Due south, Cheerio and Carlito's Way as the best moving-picture show of the 1990s in a poll by Cahiers du cinéma.[fifteen]
The film is recognized by American Film Institute in these lists:
- 2002: AFI's 100 Years...100 Passions – #90[16]
- 2004: AFI's 100 Years...100 Songs:
- "I Meet Your Confront Earlier Me" – Nominated[17]
References [edit]
- ^ "THE BRIDGES OF MADISON Canton (12)". British Board of Motion-picture show Nomenclature. August 3, 1995. Archived from the original on March 6, 2016. Retrieved Nov nine, 2015.
- ^ a b Hughes, p.110
- ^ a b c d east f g h i j Thompson, Anne (June xvi, 1995). "Bridge on the River Cry". Entertainment Weekly. Archived from the original on May half dozen, 2014. Retrieved August 19, 2011.
- ^ a b c "The Bridges of Madison County (1995)". Box Office Mojo. Internet Picture show Database. Archived from the original on Dec 22, 2015. Retrieved November 9, 2015.
- ^ Variety moving-picture show review; May 22, 1995.
- ^ "The Bridges of Madison County". Madison County Bedroom of Commerce. Archived from the original on March xxx, 2012. Retrieved August 19, 2011.
- ^ "Weekend Box Role Results for June 2-iv, 1995". Box Office Mojo. Cyberspace Movie Database. June 5, 1995. Archived from the original on September ix, 2015. Retrieved November 9, 2015.
- ^ "International Box Office". Variety. November 20, 1995. p. 10.
- ^ Groves, Don (December 11, 1995). "'Ace' holds o'seas B.O. winning hand". Variety.
- ^ "The Bridges of Madison County (1995)". Rotten Tomatoes. Fandango. Archived from the original on November twenty, 2015. Retrieved April iv, 2022.
- ^ "The Bridges of Madison Canton Reviews". Metacritic. CBS Interactive. Archived from the original on November 7, 2015. Retrieved Nov 9, 2015.
- ^ "Cinemascore". Archived from the original on Dec 20, 2018. Retrieved February eleven, 2021.
- ^ Maslin, Janet (June 2, 1995). "Love Comes Driving Up the Road, and in Heart Age, Too". The New York Times . Retrieved August 16, 2011.
- ^ Corliss, Richard (June five, 1995). "When Erotic Heat Turns into Dear Low-cal". Fourth dimension. Archived from the original on September 19, 2012. Retrieved August 16, 2011.
- ^ Johnson, Eric. "Cahiers du cinéma". Critics Lists (Mist Driven Enterprises). Caltech Alumni Association. Archived from the original on March 25, 2012. Retrieved August 19, 2011.
- ^ "AFI'due south 100 Years...100 Passions" (PDF). afi.com. American Film Establish. Archived (PDF) from the original on June 24, 2016. Retrieved Baronial 18, 2016.
- ^ "AFI's 100 Years...100 Songs Nominees" (PDF). afi.com. Archived (PDF) from the original on Apr 17, 2015. Retrieved August 18, 2016.
- Hughes, Howard (2009). Aim for the Middle: the Films of Clint Eastwood. London: I.B. Tauris. ISBN978-1-84511-902-seven.
External links [edit]
- The Bridges of Madison County at IMDb
- The Bridges of Madison County at Box Office Mojo
- The Bridges of Madison County at Rotten Tomatoes
- The Bridges of Madison County at Metacritic
Source: https://en.wikipedia.org/wiki/The_Bridges_of_Madison_County_%28film%29
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